Download Full 2022-2023 Annual Report
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Financials
Staff
Board of Trustees and Volunteer Leadership
Donor Support
Exhibitions and Loans
Executive Summary
Year after year, the DMA strives to expand the global scope and impact of our holdings, while also deepening connections with our community here in Dallas.
A Time of Transformation
Annual Report
2022-2023
The year 2023 will be celebrated for years to come as a transformative time in our beloved institution’s history. As our organization entered its 120th year and looked forward to the 40th anniversary of the opening of the Museum building, we began to think about what lies ahead in the next century and beyond. At the same time, Dallas–Fort Worth is changing by the minute: the Metroplex’s success is such that it will soon be the third largest metropolitan area in the country. As DFW’s progress and population boom and our building reaches the end of its lifetime, we’ve begun to implement organizational innovations that will advance both the Museum and our city within reach of the future we are all working toward. In fiscal year 2023, we welcomed 671,069 guests to imagine their journeys with art at the DMA. Guests from 133 countries traveled from as far away as Indonesia to experience our global collection. We were so grateful to receive a number of outstanding recognitions from our community this year! The DMA was voted Best Museum in DFW for 2023 by Dallas Voice readers; we took home the recognition of Best Exhibition in D Magazine’s 2023 Best of Big D awards; and our “Imagine Your Journey” brand campaign was a finalist in D CEO’s 2023 Nonprofit and Corporate Citizenship Awards. The DMA’s recently published collection catalogue The Arts of the Ancient Americas at the Dallas Museum of Art and the exhibition catalogue Octavio Medellín: Spirit and Form won the Gold and Bronze awards, respectively, in the Texas Association of Museums’ Mitchell A. Wilder Publication Design Award Competition. Additionally, the Octavio Medellín catalogue won the Publication Award from the Center for the Advancement and Study of Early Texas Art (CASETA) at the end of fiscal year 2023. Our institution would not receive such high accolades without the continued support of the wonderful citizens of Dallas, who inspire our mission to grow as an industry leader.
The DMA welcomed 671,069 guests from 133 countries to imagine their journeys with art and take part in dynamic programs, special events, and much more.
Art for All
As an anchor of the Arts District, we are committed to presenting art that reflects the values and diverse makeup of our region. In January, we had the privilege of debuting our revamped Indigenous American Art galleries. A longstanding priority for the Museum, this refresh presents a selection of nearly 400 objects from the Indigenous American art collection. Informed by meetings with a diverse Community Working Group, the reinstallation reflects a dedicated effort to present the artworks in a space as vibrant as the communities from which they originate. This fiscal year, 100,391 guests purchased a ticket to see a special exhibition at the Museum. Our schedule of rotating exhibitions was as dynamic as ever, offering our guests once-in-a-lifetime opportunities to interact with art from across the globe and through the ages. Toward the end of 2022, we were excited to showcase Focus On: Rashid Johnson in conjunction with TWO x TWO for AIDS and Art and to premiere Matthew Wong: The Realm of Appearances, the exhibition that ARTnews called a “must-see,” and the first museum retrospective and U.S. museum exhibition devoted to the late painter Matthew Wong. The show’s presentation of Wong’s dream-like landscapes and its frank discussion of mental health issues resonated deeply with guests, earning the title of Best Exhibition of 2023 from D Magazine. At the start of 2023, Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks opened to tremendous acclaim. From the sacred to the irreverent, this exhibition traced the history and development of art in Flanders through a presentation of works by leading artists such as Jan Gossaert, Peter Paul Rubens, and Anthony van Dyck. In the spring, we celebrated the homecoming of the premier Dallas artist Ja’Tovia Gary with the opening of Concentrations 64: Ja’Tovia Gary, I KNOW IT WAS THE BLOOD. We were deeply honored to host Gary’s first-ever solo museum exhibition and delighted at the opportunity to collaborate so personally with a local artist. The DMA’s global collection expanded by 222 works this year, with 125 purchases and 97 works donated, expanding the reach of our encyclopedic holdings for the benefit of scholarship and our guests. Over 64% of works purchased were made by artists who identify as BIPOC, and nearly half of all the acquisitions were by artists who identify as female, transgender, or nonbinary. Ranging in type from a lacquered leather shield of the Mewari peoples to a sterling silver, bubble-embossed consommé service crafted by a master woman metalsmith, the works acquired this fiscal year truly underscore the Museum’s mission to collect works of art that showcase different perspectives, identities, and cultural backgrounds. Highlights include Fernando Laposse’s “Pink Agave” cabinet, a birch cabinet adorned with brilliant pink agave fibers that is at once playful and functional; the dramatically evocative Triumph of Galatea by leading Italian Baroque painter Luca Giordano; and a beaded vessel that references Yoruba notions of royalty.
This fiscal year, 100,391 guests purchased a ticket to see a special exhibition at the Museum.
In fiscal year 2023, 450,542 guests took advantage of the Museum’s free admission.
Commitment to Serve
and repairable, C3 and the Reves Collection have remained closed to the public ever since, as our valued partners at the City of Dallas perform ongoing repairs. These damages could have resulted in a critical setback to our programming capabilities, with the Museum’s dedicated education space no longer operable. Fortunately, the DMA staff does not back down from a challenge. Our Community Engagement and Family, Youth, and School Programs teams mobilized galleries, event spaces, and even the Museum’s Cook Boardroom to continue to host free public programming like Open Studio, as well as treasured family programs such as Summer Art Camps and Spring Break Family Fun, which saw more than 10,000 guests. In total, over 100,000 visitors of all ages and backgrounds enjoyed Museum programming, and over 11,000 program tickets were sold or reserved throughout the fiscal year. In this fiscal year alone, nearly 400 artists and speakers, and countless community partners, collaborated with the Museum to execute a robust calendar of events. We kicked off 2023 in a big way, celebrating An Artful 120th Birthday! During the weekend of January 20–22, we invited the community to join us as we celebrated who we are today and who we want to be in the future. The weekend started off strong with the opening of the revamped Indigenous American Art galleries.
PREVIOUS
Over 100,000 visitors of all ages and backgrounds enjoyed Museum programming, and over 11,000 program tickets were sold or reserved.
Community Collaborations
for their exhibition Monet. Luces del Impresionismo. This historic loan marked the first time that any of Monet’s famous Water Lilies paintings traveled to Mexico. We are thrilled to have had so many opportunities to introduce new communities to the enduring power of art, and we look forward to more pioneering collaborations in the near future. Each year, the DMA offers opportunities for rising artists through our Awards to Artists grant program, resulting in nearly $950,000 being given to more than 400 artists since 1980. In 2023, 10 artists, ages 18 to 51, received awards from the Clare Hart DeGolyer Memorial Fund Award, the Arch and Anne Giles Kimbrough Fund Award, and the Otis and Velma Davis Dozier Travel Grant. All 2023 recipients were from Texas, including seven based in the Dallas–Fort Worth area. Through the three funds, over $25,000 was awarded to these up-and-coming artists. It is such a privilege to facilitate the career development of emerging and established artists with roots here in Texas through these grants.
In addition to our on-site programs and exhibitions, the DMA reaches every corner of our community through educational programs, partnerships, and opportunities for local artists. From our Go van Gogh program that serves students throughout the neighborhoods of Dallas to innovative partnerships that enable us to share our collection outside the Dallas Arts District, this past year underscored our commitment to delivering our mission beyond our walls.
With over 150 submissions from 27 countries, we were overwhelmed with the global interest in our museum and city. In May, we welcomed our six finalist teams to Dallas, including David Chipperfield Architects, Diller Scofidio + Renfro, Johnston Marklee, Michael Maltzan Architecture, Nieto Sobejano Arquitectos, and Weiss/Manfredi. While they were here, the teams got a firsthand look at our space and the Dallas Arts District and had the opportunity to interact with our community. In July 2023, the DMA debuted a presentation of the firms’ preliminary design concepts, inviting the community to view the models and take part in the process by providing feedback. It was an honor to collaborate with each of these firms, all of which introduced inspired perspectives on what it means to be a 21st-century museum in such a vibrant and pioneering city. In August, the DMA Board of Trustees unanimously approved the selection of Nieto Sobejano Arquitectos (NSA) as recommended by the Architect Selection Committee (ASC), chaired by
Looking Forward: A New DMA
As part of our strategic plan, we committed to forming several key partnerships to expand the reach of our collection and mission through long- and short-term loans and transfers of the collection. In fiscal year 2023, we received 79 requests for loans, 30% of which came from international museums, and borrowed 895 objects from other museums and institutions. In April, we were excited to announce a landmark partnership with the University of Texas at Dallas celebrating the establishment of the Edith and Peter O’Donnell Jr. Athenaeum, which will open in fall 2024. Two galleries in the Athenaeum will be designated for long-term loans from the DMA with exhibitions curated by UT Dallas faculty members and guest curators. In the spring, we also partnered with the Dallas Art Fair and NorthPark Center to present Talk of the Town: A Dallas Museum of Art Pop-Up Exhibition. This group exhibition, which was displayed at NorthPark Center with free admission, celebrated and explored the diversity of womanhood through a selection of recent Museum acquisitions from the Dallas Art Fair. Two of the Museum’s stunning Monet paintings were loaned to Mexico City’s National Museum of Art (MUNAL)
We look forward to continuing this journey with our community while fulfilling our mantra: art is at the center and equity and community are at the core of all we do.
In Memoriam
It is with deep regret and profound sadness that we report the passing of the following trustees and DMA Circle members in fiscal year 2023. Each of these individuals demonstrated a deep commitment to the arts and to transforming the DMA into the strong and innovative institution it is today. Their legacies will live on not only through their contributions to the Museum but through their impact on the Dallas arts community as a whole.
Richard Barrett Philip C. Henderson Norma K. Hunt Keith W. Kennedy William Leazer Jerrie M. Smith
© 2024 Dallas Museum of Art CONTRIBUTORS Agustín Arteaga, Tamara Wootton Forsyth, Eric Zeidler, Ellee McMeans, Aschelle Morgan, Veronica Treviño Salinas, Tricia Earl, Brian MacElhose, Carol Griffin, Yemi Dubale, Kathy Everitt COPYEDITING Queta Moore Watson DESIGN Vynsie Law PHOTOGRAPHY AND IMAGING SERVICES Giselle Castro-Brightenburg, Brad Flowers, Paul Molinari, Chad Redmon, Trey Burns, Tamytha Cameron Free General Admission to the Dallas Museum of Art is funded, in part, by the Robert Gerard Pollock Foundation. Additional support for the Museum is provided by generous DMA Members and donors, the Texas Commission on the Arts, and the citizens of Dallas through the City of Dallas Office of Arts and Culture.
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Acquisitions
Dallas Arts District resulted in over 3,000 on-site Museum guests, an increase in over 1,000 guests from the 2022 Pride event, and many more accessed the outdoor events throughout the Arts District. Marked by an exciting surge of energy, with school buses lined up on Harwood Street, the 2022–2023 school year was our first full school year operating at full capacity as we did pre-pandemic. Throughout the fiscal year, the Family, Youth, and School Programs team presented over 1,500 programs to more than 36,000 students and teachers across North Texas. We also conducted more than 1,100 student tours, including the debut of a new self-guided tour option specifically for DISD 4th grade students exploring the themes All About Me and All About Us. Another significant project this year for the Family, Youth, and School Programs team was the expansion of our partnership with Travis Academy, a DISD school serving 4th–8th grades. The expanded partnership culminated in a Travis Takeover in April, when the entire school was invited to the DMA for a special school spotlight event. More than 100 7th graders presented a showcase of research projects they created on all aspects of Dallas history—from sports and fashion to key historical events and figures. The Travis Academy band provided musical entertainment for guests in the Hamon Atrium, and 8th grade junior tour guides led tours in the galleries for fellow students, families, and teachers.
Our community also joined us for a special Late Night inspired by the Museum’s collection, recent acquisitions, and the refreshed Indigenous American Art galleries. Over 4,000 guests took part in our 120th birthday celebrations, making this our most well-attended Late Night event since before the pandemic. Our annual Late Night: Pride Block Party in June 2023 saw an increase in partnerships with the participation of 38 LGBTQ+ artists and organizations, including Abounding Prosperity, Resource Center, Flexible Grey Theatre Company, AIDS Healthcare Foundation, Human Rights Campaign, Pegasus Squares, Arttitude, The Dallas Way, Dallas Comedy Club, and United Black Ellument. This collaboration with the wider
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color blind glasses, which enhance color perception for those with red-green type CVD, are now available for complimentary check-out to color-vision-deficient individuals during their visit to the DMA. The DMA team recognized the importance of creating awareness of this resource beyond the initial launch and ultimately pioneered an awareness campaign and created resources that have now served over 150 cultural organizations nationwide thanks to our ongoing partnership with EnChroma. In addition, the Museum made significant progress in offering Raised Line Images, defined as images that are specifically designed to provide tactile access to visual art for a range of disabilities. We now have 35 images of selected works from the DMA’s collection, including artist portraits. In collaboration with the Exhibitions and Interpretation team, some raised-lined images will be featured in the upcoming exhibition The Impressionist Revolution from Monet to Matisse, opening in 2024. This year also included thoughtful work to expand our impact through partnerships that provide access to members of our community experiencing memory loss and living with disabilities. We revamped the Meaningful Moments program to establish a valuable partnership with the Nasher Sculpture Center and strengthen our
We are also happy to report that we held our first in-person Baby Day since the pandemic, including sensory playrooms for families and drop-in and mini-sessions of our Art Babies and Toddler Art classes in the DMA galleries. Fiscal year 2023 marked a notable year in the Museum’s efforts to be accessible for all, earning the DMA industry-wide recognition. In September 2022, the DMA launched a new suite of color vision deficiency (CVD)—also known as color blindness—accessibility initiatives, earning features in Hyperallergic, Artnet News, the Washington Post, and Glasstire. The Museum now makes an annual effort to offer CVD tests and raise awareness during International Color Blind Awareness Month. Additionally, EnChroma
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partnership with the Alzheimer’s Association Dallas and Northeast Texas Chapter to deliver workshops for individuals in the early to mid-stages of Alzheimer’s Disease, dementia, or memory loss, as well as for their care partners. This fiscal year also saw the expansion of the All Access Art program to include a partnership with the Bachman Therapeutic Recreational Center. We look forward to the programming these partnerships will bring in the upcoming year, and we are proud to facilitate opportunities to bring the love of art to visitors of all needs and abilities.
The Family, Youth, and School Programs team presented over 1,500 programs to more than 36,000 students and teachers across North Texas.
Jennifer Eagle and Lucilo Peña. This selection continues to be celebrated around the world and here at home, earning a “bravo” from the Dallas Morning News. We would like to express our sincere gratitude to the Architect Selection Committee members for their diligent and dedicated work to lead this monumental effort from start to finish. We wish to thank our three anonymous donors who underwrote the Reimagining the Dallas Museum of Art International Design Competition. At the heart of one of the most exciting cities in America, the DMA is moving closer to the day when we can unveil a reimagined building, a new identity, and, potentially, the most significant collection of contemporary art of any encyclopedic museum. We look forward to continuing this journey with our community while fulfilling our mantra: art is at the center and equity and community are at the core of all we do.
As the world around us rapidly evolves, so too do the needs of the communities we serve. The DMA is committed to adapting both our staff and facilities to ensure that we become a stronger and more flexible institution ready to take on our future. This year, we completed a staff reorganization to mirror our organization’s highest priorities. This included the creation of a new guest-centered Experience team led by Chief Experience Officer Brad Pritchett, and the reinforcement of research as the backbone of our curatorial approach, led by Chief Curatorial and Research Officer Dr. Nicole Myers. It also included the appointment of Stacey Lizotte to Chief Learning Officer and that of Aschelle Morgan to Director of External Affairs, both underscoring our commitment to serving our local community. In fiscal year 2023, more than 63% of our new hires identified as BIPOC, enabling the DMA to better represent the communities we serve. We continue to focus on diversifying the voices within our staff. With a diverse Board of Trustees at the helm, we completed many activities supported by the Ford Foundation grant to create a more inclusive employee experience, provide internal education for a shared understanding of Diversity,
Equity, and Inclusion (DEI), build trust, diversify candidate pipelines, and improve internal communications related to diversity, equity, and inclusion during this fiscal year. To achieve wider equity, the Museum made changes to internal staff hiring procedures; these are reflected in the locations and ways in which job openings are posted, in sharing salary ranges, and in permitting the use of equivalencies as we look to degrees and experience. Onboarding processes and retention strategies have also been updated. This year, we began the process of reimagining our current DMA building, which was designed in 1984 for a different Dallas, a different time, and a different society. Four decades later, we are thrilled to embark on this upgrade of our facility to serve modern-day Dallas while addressing the end-of-life needs of our City-owned building.
Heralded by the Wall Steet Journal as a “novel and ingenious” way to find an architect, “from which the world can learn much,” the DMA’s six-month Reimagining the Dallas Museum of Art International Design Competition enabled our community to help us select the architect team that will join us to build our future. Just as we catalyzed the Dallas Arts District when our current facility opened in 1984, the DMA sees this time of rapid growth in the Dallas–Fort Worth Metroplex as our opportunity to once again play a significant role in shaping the future of Dallas. Beginning in February, the DMA, in collaboration with competition organizers Malcolm Reading Consultants, placed an open call for submissions from local, national, and international architects to help us reimagine our space to better serve our community and the art in our care.
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07 Financials
06 Staff
04 Donor Support
02 Exhibitions and Loans
03 Acquisitions
Download 2022-2023 Annual Report
We are always searching for innovative ways to inspire our guests to embark on new journeys, discover their own inspiration, and create memories within the walls of the DMA. Accessible programming and education play an essential role in serving our communities. In August 2022, Dallas suffered a once-in-100-years rain event, resulting in significant water damage to our four-decades-old facility. Most affected were the Reves Collection, the Museum basement, and the Center for Creative Connections (C3), which is home to the DMA’s Education Department and beloved community programming. Shortly after the flood, the DMA welcomed Dallas Mayor Eric Johnson, Councilman Paul Ridley, and key leaders from the City of Dallas Office of Arts and Culture to assess impact to our City-owned facility. While damages to art were minor
We are always searching for innovative ways to inspire our guests to embark on new journeys, discover their own inspiration, and create memories within the walls of the DMA. Accessible programming and education play an essential role in serving our communities. In August 2022, Dallas suffered a once-in-100-years rain event, resulting in significant water damage to our four-decades-old facility. Most affected were the Reves Collection, the Museum basement, and the Center for Creative Connections (C3), which is home to the DMA’s Education Department and beloved community programming. Shortly after the flood, the DMA welcomed Dallas Mayor Eric Johnson, Councilman Paul Ridley, and key leaders from the City of Dallas Office of Arts and Culture to assess impact to our City-owned facility. While damages to art were minor and repairable, C3 and the Reves Collection have remained closed to the public ever since, as our valued partners at the City of Dallas perform ongoing repairs. These damages could have resulted in a critical setback to our programming capabilities, with the Museum’s dedicated education space no longer operable. Fortunately, the DMA staff does not back down from a challenge. Our Community Engagement and Family, Youth, and School Programs teams mobilized galleries, event spaces, and even the Museum’s Cook Boardroom to continue to host free public programming like Open Studio, as well as treasured family programs such as Summer Art Camps and Spring Break Family Fun, which saw more than 10,000 guests. In total, over 100,000 visitors of all ages and backgrounds enjoyed Museum programming, and over 11,000 program tickets were sold or reserved throughout the fiscal year. In this fiscal year alone, nearly 400 artists and speakers, and countless community partners, collaborated with the Museum to execute a robust calendar of events. We kicked off 2023 in a big way, celebrating An Artful 120th Birthday! During the weekend of January 20–22, we invited the community to join us as we celebrated who we are today and who we want to be in the future. The weekend started off strong with
the opening of the revamped Indigenous American Art galleries. Our community also joined us for a special Late Night inspired by the Museum’s collection, recent acquisitions, and the refreshed Indigenous American Art galleries. Over 4,000 guests took part in our 120th birthday celebrations, making this our most well-attended Late Night event since before the pandemic. Our annual Late Night: Pride Block Party in June 2023 saw an increase in partnerships with the participation of 38 LGBTQ+ artists and organizations, including Abounding Prosperity, Resource Center, Flexible Grey Theatre Company, AIDS Healthcare Foundation, Human Rights Campaign, Pegasus Squares, Arttitude, The Dallas Way, Dallas Comedy Club, and United Black Ellument. This collaboration with the wider Dallas Arts District resulted in over 3,000 on-site Museum guests, an increase in over 1,000 guests from the 2022 Pride event, and many more accessed the outdoor events throughout the Arts District. Marked by an exciting surge of energy, with school buses lined up on Harwood Street, the 2022–2023 school year was our first full school year operating at full capacity as we did pre-pandemic. Throughout the fiscal year, the Family, Youth, and School Programs team presented over 1,500 programs to more than 36,000 students and teachers across North Texas. We also conducted more than 1,100 student tours, including the debut of a new self-guided tour option specifically for DISD 4th grade students exploring the themes All About Me and All About Us. Another significant project this year for the Family, Youth, and School Programs team was the expansion of our partnership with Travis Academy, a DISD school serving 4th–8th grades. The expanded partnership culminated in a Travis Takeover in April, when the entire school was invited to the DMA for a special school spotlight event. More than 100 7th graders presented a showcase of research projects they created on all aspects of Dallas history—from sports and fashion to key historical events and figures. The Travis Academy band provided musical entertainment for guests in the Hamon
Atrium, and 8th grade junior tour guides led tours in the galleries for fellow students, families, and teachers. We are also happy to report that we held our first in-person Baby Day since the pandemic, including sensory playrooms for families and drop-in and mini-sessions of our Art Babies and Toddler Art classes in the DMA galleries. Fiscal year 2023 marked a notable year in the Museum’s efforts to be accessible for all, earning the DMA industry-wide recognition. In September 2022, the DMA launched a new suite of color vision deficiency (CVD)—also known as color blindness—accessibility initiatives, earning features in Hyperallergic, Artnet News, the Washington Post, and Glasstire. The Museum now makes an annual effort to offer CVD tests and raise awareness during International Color Blind Awareness Month. Additionally, EnChroma color blind glasses, which enhance color perception for those with red-green type CVD, are now available for complimentary check-out to color-vision-deficient individuals during their visit to the DMA. The DMA team recognized the importance of creating awareness of this resource beyond the initial launch and ultimately pioneered an awareness campaign and created resources that have now served over 150 cultural organizations nationwide thanks to our ongoing partnership with EnChroma. In addition, the Museum made significant progress in offering Raised Line Images, defined as images that are specifically designed to provide tactile access to visual art for a range of disabilities. We now have 35 images of selected works from the DMA’s collection, including artist portraits. In collaboration with the Exhibitions and Interpretation team, some raised-lined images will be featured in the upcoming exhibition The Impressionist Revolution from Monet to Matisse, opening in 2024. This year also included thoughtful work to expand our impact through partnerships that provide access to members of our community experiencing memory loss and living with disabilities. We revamped the Meaningful Moments program to establish a valuable partnership with the Nasher Sculpture Center and strengthen our
Each year, the DMA offers opportunities for rising artists through our Awards to Artists grant program, resulting in nearly $950,000 being given to more than 400 artists since 1980. In 2023, 10 artists, ages 18 to 51, received awards from the Clare Hart DeGolyer Memorial Fund Award, the Arch and Anne Giles Kimbrough Fund Award, and the Otis and Velma Davis Dozier Travel Grant. All 2023 recipients were from Texas, including seven based in the Dallas–Fort Worth area. Through the three funds, over $25,000 was awarded to these up-and-coming artists. It is such a privilege to facilitate the career development of emerging and established artists with roots here in Texas through these grants.
In addition to our on-site programs and exhibitions, the DMA reaches every corner of our community through educational programs, partnerships, and opportunities for local artists. From our Go van Gogh program that serves students throughout the neighborhoods of Dallas to innovative partnerships that enable us to share our collection outside the Dallas Arts District, this past year underscored our commitment to delivering our mission beyond our walls. As part of our strategic plan, we committed to forming several key partnerships to expand the reach of our collection and mission through long- and short-term loans and transfers of the collection. In fiscal year 2023, we received 79 requests for loans, 30% of which came from international museums, and borrowed 895 objects from other museums and institutions. In April, we were excited to announce a landmark partnership with the University of Texas at Dallas celebrating the establishment of the Edith and Peter O’Donnell Jr. Athenaeum, which will open in fall 2024. Two galleries in the Athenaeum will be designated for long-term loans from the DMA with exhibitions curated by UT Dallas faculty members and guest curators. In the spring, we also partnered with the Dallas Art Fair and NorthPark Center to present Talk of the Town: A Dallas Museum of Art Pop-Up Exhibition. This group exhibition, which was displayed at NorthPark Center with free admission, celebrated and explored the diversity of womanhood through a selection of recent Museum acquisitions from the Dallas Art Fair. Two of the Museum’s stunning Monet paintings were loaned to Mexico City’s National Museum of Art (MUNAL) for their exhibition Monet. Luces del Impresionismo. This historic loan marked the first time that any of Monet’s famous Water Lilies paintings traveled to Mexico. We are thrilled to have had so many opportunities to introduce new communities to the enduring power of art, and we look forward to more pioneering collaborations in the near future.
.In July 2023, the DMA debuted a presentation of the firms’ preliminary design concepts, inviting the community to view the models and take part in the process by providing feedback. It was an honor to collaborate with each of these firms, all of which introduced inspired perspectives on what it mean to be a 21st-century museum in such a vibrant and pioneering city. In August, the DMA Board of Trustees unanimously approved the selection of Nieto Sobejano Arquitectos (NSA) as recommended by the Architect Selection Committee (ASC), chaired by Jennifer Eagle and Lucilo Peña. This selection continues to be celebrated around the world and here at home, earning a “bravo” from the Dallas Morning News. We would like to express our sincere gratitude to the Architect Selection Committee members for their diligent and dedicated work to lead this monumental effort from start to finish. We wish to thank our three anonymous donors who underwrote the Reimagining the Dallas Museum of Art International Design Competition. At the heart of one of the most exciting cities in America, the DMA is moving closer to the day when we can unveil a reimagined building, a new identity, and, potentially, the most significant collection of contemporary art of any encyclopedic museum. We look forward to continuing this journey with our community while fulfilling our mantra: art is at the center and equity and community are at the core of all we do.
This year, we began the process of reimagining our current DMA building, which was designed in 1984 for a different Dallas, a different time, and a different society. Four decades later, we are thrilled to embark on this upgrade of our facility to serve modern-day Dallas while addressing the end-of-life needs of our City-owned building. Heralded by the Wall Steet Journal as a “novel and ingenious” way to find an architect, “from which the world can learn much,” the DMA’s six-month Reimagining the Dallas Museum of Art International Design Competition enabled our community to help us select the architect team that will join us to build our future. Just as we catalyzed the Dallas Arts District when our current facility opened in 1984, the DMA sees this time of rapid growth in the Dallas–Fort Worth Metroplex as our opportunity to once again play a significant role in shaping the future of Dallas. Beginning in February, the DMA, in collaboration with competition organizers Malcolm Reading Consultants, placed an open call for submissions from local, national, and international architects to help us reimagine our space to better serve our community and the art in our care. With over 150 submissions from 27 countries, we were overwhelmed with the global interest in our museum and city. In May, we welcomed our six finalist teams to Dallas, including David Chipperfield Architects, Diller Scofidio + Renfro, Johnston Marklee, Michael Maltzan Architecture, Nieto Sobejano Arquitectos, and Weiss/Manfredi. While they were here, the teams got a firsthand look at our space and the Dallas Arts District and had the opportunity to interact with our community. With over 150 submissions from 27 countries, we were overwhelmed with the global interest in our museum and city. In May, we welcomed our six finalist teams to Dallas, including David Chipperfield Architects, Diller Scofidio + Renfro, Johnston Marklee, Michael Maltzan Architecture, Nieto Sobejano Arquitectos, and Weiss/Manfredi. While they were here, the teams got a firsthand look at our space and the Dallas Arts District and had the opportunity to interact with our community.
As the world around us rapidly evolves, so too do the needs of the communities we serve. The DMA is committed to adapting both our staff and facilities to ensure that we become a stronger and more flexible institution ready to take on our future. This year, we completed a staff reorganization to mirror our organization’s highest priorities. This included the creation of a new guest-centered Experience team led by Chief Experience Officer Brad Pritchett, and the reinforcement of research as the backbone of our curatorial approach, led by Chief Curatorial and Research Officer Dr. Nicole Myers. It also included the appointment of Stacey Lizotte to Chief Learning Officer and that of Aschelle Morgan to Director of External Affairs, both underscoring our commitment to serving our local community. In fiscal year 2023, more than 63% of our new hires identified as BIPOC, enabling the DMA to better represent the communities we serve. We continue to focus on diversifying the voices within our staff. With a diverse Board of Trustees at the helm, we completed many activities supported by the Ford Foundation grant to create a more inclusive employee experience, provide internal education for a shared understanding of Diversity, Equity, and Inclusion (DEI), build trust, diversify candidate pipelines, and improve internal communications related to diversity, equity, and inclusion during this fiscal year. To achieve wider equity, the Museum made changes to internal staff hiring procedures; these are reflected in the locations and ways in which job openings are posted, in sharing salary ranges, and in permitting the use of equivalencies as we look to degrees and experience. Onboarding processes and retention strategies have also been updated.
All exhibitions are supported, in part, by the generosity of DMA Members and donors, the National Endowment for the Arts, the Texas Commission on the Arts, and the citizens of Dallas through the City of Dallas Office of Arts and Culture.
The exhibition was organized by the Dallas Museum of Art. Media support was provided by The Dallas Morning News. The curators for this exhibition were Dr. Roslyn A. Walker, The Margaret McDermott Curator of African Art and Senior Curator of the Arts of Africa, the Americas, and the Pacific, and Fran Baas, Objects Conservator.
Not Visible to the Naked Eye: Inside a Senufo Helmet Mask
November 23, 2019–February 1, 2026
The exhibition was organized by the Dallas Museum of Art. Exhibition support was provided by the TWO x TWO for AIDS and Art Fund and the DMA Contemporary Art Initiative. The curators for this exhibition were Dr. Anna Katherine Brodbeck, Hoffman Family Senior Curator of Contemporary Art; Dr. Vivian Li, The Lupe Murchison Curator of Contemporary Art; and Vivian Agatha Crockett, former Nancy and Tim Hanley Assistant Curator of Contemporary Art.
Slip Zone: A New Look at Postwar Abstraction in the Americas and East Asia
The exhibition was organized by the Dallas Museum of Art. The curator for this exhibition was Dr. Roslyn A. Walker, The Margaret McDermott Curator of African Art and Senior Curator of the Arts of Africa, the Americas, and the Pacific.
Bamana Mud Cloth: From Mali to the World
November 13, 2021–August 6, 2023
The exhibition was organized by the Dallas Museum of Art. Exhibition support was provided by the TWO x TWO for AIDS and Art Fund and the DMA Contemporary Art Initiative. The curator for this exhibition was Dr. Anna Katherine Brodbeck, Hoffman Family Senior Curator of Contemporary Art.
Bosco Sodi: La fuerza del destino
September 14, 2021–July 10, 2022
The exhibition was organized by the Dallas Museum of Art. Exhibition support was provided by the TWO x TWO for AIDS and Art Fund and the DMA Contemporary Art Initiative. Hispanic media support was provided by Univision. The curators for this exhibition were Vivian Agatha Crockett, former Nancy and Tim Hanley Assistant Curator of Contemporary Art, and Dr. Vivian Li, The Lupe Murchison Curator of Contemporary Art.
Guadalupe Rosales: Drifting on a Memory
December 10, 2021–June 18, 2023
The exhibition was organized by the Dallas Museum of Art. Local support was provided by the DMA Family Forum. The curators for this exhibition were Claire Moore, former Allen and Kelli Questrom Center for Creative Connections Education Director, and Dr. Emily Schiller, Senior Manager of Interpretation.
C3 – Rooted
December 26, 2021–August 21, 2022
The exhibition was organized by the Dallas Museum of Art. Support for this exhibition came from The Jorge Baldor Curatorial Fund for Latin American Art. Major support was provided by The Pollock Foundation. Exhibition support was provided by Hibbs-Hallmark Insurance and Scott Chase and Debra Witter. Hispanic media support was provided by Univision. Exhibition catalogue support was provided by the Texas Art Collectors Organization (TACO). The curator for this exhibition was Dr. Mark A. Castro, former Jorge Baldor Curator of Latin American Art.
Octavio Medellín: Spirit and Form
February 6, 2022–May 14, 2023
The exhibition was organized by the National Cowboy & Western Heritage Museum. The exhibition was supported in part by the Kirkpatrick Foundation, the Henry Luce Foundation, and the National Endowment for the Humanities. The exhibition curator was Eric D. Singleton, PhD, Curator of Ethnology, National Cowboy & Western Heritage Museum. The coordinating curator at the Dallas Museum of Art for this exhibition was Dr. Michelle Rich, The Ellen and Harry S. Parker III Associate Curator of Indigenous American Art.
Spirit Lodge: Mississippian Art from Spiro
March 13–August 7, 2022
The exhibition was organized by the Dallas Museum of Art. Exhibition support was provided by TWO x TWO for AIDS and Art and the DMA Contemporary Art Initiative. The curator for this exhibition was Dr. Anna Katherine Brodbeck, Hoffman Family Senior Curator of Contemporary Art.
September 18, 2022–July 30, 2023
Movement: The Legacy of Kineticism
The exhibition was co-organized by the Dallas Museum of Art and the Musée des Arts Décoratifs, Paris, in collaboration with the Musée du Louvre and with the support of Cartier. The Presenting Sponsor for this exhibition was PNC Bank. Major support was provided by Sewell Automotive Companies. Exhibition support was provided by the National Endowment for the Arts, Lisa and Clay Cooley, Nancy Dedman, Laura and Walter Elcock, Susan and Bill Montgomery, Nancy C. and Richard R. Rogers, Sogand Shoja, and Gayle Stoffel. Additional support was provided by Bela and Chase Cooley, Christina and Sal Jafar II, Catherine and Will Rose, Deedie Rose, and Vaughn O. Vennerberg II. Local support was provided by the DMA Decorative Arts & Design Initiative. Media support was provided by CBS Channel 11 and PaperCity. The curators for this exhibition were Sarah Schleuning, The Margot B. Perot Senior Curator of Decorative Arts and Design; Dr. Heather Ecker, former Marguerite S. Hoffman and Thomas W. Lentz Curator of Islamic and Medieval Art; Évelyne Possémé, Senior Curator, Musée des Arts Decoratifs, Department of Ancient and Modern Jewelry; and Judith Henon-Raynaud, Senior Curator, Musée du Louvre, Department of Islamic Art.
Cartier and Islamic Art: In Search of Modernity
May 14–September 18, 2022
October 22, 2022–September 10, 2023
Focus On: Rashid Johnson
The exhibition was organized by the Dallas Museum of Art. Major support was provided by the E. Rhodes and Leona B. Carpenter Foundation. Exhibition support was provided by Christie’s, Dallas Tourism Public Improvement District, the TWO x TWO for AIDS and Art Fund, and the DMA Contemporary Art Initiative. Additional support was provided by the Robot Family Foundation. The curator for this exhibition was Dr. Vivian Li, The Lupe Murchison Curator of Contemporary Art.
Matthew Wong: The Realm of Appearances
October 16, 2022–February 19, 2023
April 23–November 5, 2023
Concentrations 64: Ja’Tovia Gary, I KNOW IT WAS THE BLOOD
The exhibition was co-organized by the Denver Art Museum and The Phoebus Foundation, Antwerp (Belgium). The exhibition was co-presented by Texas Instruments and PNC Bank and was supported by an indemnity from the Federal Council on the Arts and the Humanities. Major support was provided by the Freeman Family Exhibition Fund and by Marguerite Hoffman and Thomas Woodward Lentz. The exhibition curator was Dr. Katharina Van Cauteren, Ph.D., Chief of Staff of The Phoebus Foundation. The coordinating curator at the Dallas Museum of Art was Dr. Nicole R. Myers, Chief Curatorial and Research Officer and The Barbara Thomas Lemmon Senior Curator of European Art.
Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks
February 19–October 15, 2023
The exhibition was organized by the Dallas Museum of Art. The curator for this exhibition was Christine Burger, former Research Assistant for the Curatorial Department.
Picasso’s Muses: Between Inspiration and Obsession
April 29, 2023–January 7, 2024
The exhibition was organized by the Dallas Museum of Art, NorthPark Center, and the Dallas Art Fair. The curator for this exhibition was Dr. Anna Katherine Brodbeck, Hoffman Family Senior Curator of Contemporary Art.
Talk of the Town – A Dallas Museum of Art Pop-Up Exhibition
March 21–April 30, 2023
Heralded by the Wall Steet Journal as a “novel and ingenious” way to find an architect, “from which the world can learn much,” the DMA’s six-month Reimagining the Dallas Museum of Art International Design Competition enabled our community to help us select the architect team that will join us to build our future. Just as we catalyzed the Dallas Arts District when our current facility opened in 1984, the DMA sees this time of rapid growth in the Dallas–Fort Worth Metroplex as our opportunity to once again play a significant role in shaping the future of Dallas.
Museo Nacional de Arte, Mexico City Museu de Arte de São Paulo Assis Chateaubriand Museum of Arts and Design, New York Museum of the Big Bend, Alpine, TX National Gallery of Art, Washington, DC DN NorthPark Holdco, LLC, Dallas Ogunquit Museum of American Art, Ogunquit, ME Peabody Essex Museum, Salem, MA Phoenix Art Museum Polk Museum of Art, Lakeland, FL Portland Museum of Art, Portland, ME San Diego Museum of Art San Francisco Museum of Modern Art Solomon R. Guggenheim Museum, New York Tate Modern, London UT Southwestern Medical Center at Dallas Vero Beach Museum of Art, Vero Beach, FL The Warehouse, LLC, Dallas Yale Center for British Art, New Haven, CT
The Dixon Gallery & Gardens, Memphis Dulwich Picture Gallery, London El Museo Del Barrio, New York The Fine Arts Museums of San Francisco Fondation Beyeler/Beyeler Museum AG, Riehen, Switzerland The Frye Art Museum, Seattle Fundación Mapfre - Instituto de Cultura Madrid The High Museum of Art, Atlanta Houston Museum of Natural Science The Institute of Contemporary Art, Boston Kimbell Art Museum, Fort Worth Kunstsammlung Nordrhein-Westfalen (K20), Düsseldorf Los Angeles County Museum of Art The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts Montreal Museum of Fine Arts Musée de l’Orangerie, Paris
Loans
Each year, the Dallas Museum of Art lends works from its collection to important art institutions around the world. Between July 1, 2022, and June 30, 2023, the DMA lent art to 49 institutions.
Art Galleries at Black Studies, University of Texas at Austin The Art Institute of Chicago Art Museum of South Texas, Corpus Christi AT&T Performing Arts Center, Dallas The Barnes Foundation, Philadelphia Cleveland Museum of Art Crystal Bridges Museum of Art, Bentonville, AR Dallas Arboretum and Botanical Garden Dallas City Hall Denver Art Museum Detroit Institute of Arts Dia Beacon, Beacon, NY The Sterling and Francine Clark Art Institute, Williamstown, MA
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ASANTE PEOPLES; BONWIRE, GHANA Kente Cloth for a Chief 1900–1930s Silk Textile Purchase Fund, 2022.34.2
Download Full Report (Full list of acquisitions starts on page 53)
The DMA’s global collection expanded by 222 works this year, diversifying our encyclopedic holdings. Over 64% of works purchased were made by artists who identify as BIPOC, and nearly half of all acquisitions were by artists who identify as female, transgender, or nonbinary.
African Art
Asian Art
Postwar and Contemporary Art
European Art
Indigenous American Art
Prints and Drawings
Design and Decorative Arts
Latin American Art
EWE PEOPLES; VOLTA, GHANA Men’s Prestige Kente Cloth 1900–1930s Cotton Textile Purchase Fund, 2022.34.7
YORUBA PEOPLES; NIGERIA Beaded Vessel 1900–1925 Glass beads, fiber, and wood Gift of David T. Owsley via the Alvin and Lucy Owsley Foundation, 2022.37.A–B
MEWARI, INDIA Shield 1800–1900 Lacquered and painted leather with four steel bosses with blue and green enamel Gift of David T. Owsley via the Alvin and Lucy Owsley Foundation, 2023.65
YASUYOSHI DEME Noh Mask 1700–1800 Cypress wood with gesso and paint Gift of David T. Owsley via the Alvin and Lucy Owsley Foundation, 2023.39
KODAMA KEIDO Monkeys Playing in Wisteria 1868–1912 Ink and color on silk Gift of David T. Owsley via the Alvin and Lucy Owsley Foundation, 2023.68.2
JOYCE J. SCOTT Run Down on the Highway of Love 1986 Glass beads, polychrome, plastic, polychrome printing, and leather Discretionary Decorative Arts Fund, 2022.61
ART SMITH “Galaxy” Neckpiece About 1962 Sterling silver Gift of Kim and Al Eiber, 2023.61.2
FERNANDO LAPOSSE “Pink Agave” Cabinet 2021 Birch plywood, sisal, steel mesh, kiln-dried Canadian maple, and cochineal dye Discretionary Decorative Arts Fund, 2022.72
GIUSEPPE VINER The Sun 1902 Oil on board, oak, and silvered copper General Acquisitions Fund, Museum PM League Fund, Museum League Fund, and Mrs. Herbert Marcus Fund, 2023.27
THOMAS GAINSBOROUGH The Cottage Door About 1785 Oil on canvas Foundation for the Arts Collection, Mrs. John B. O’Hara Fund, 2023.1.FA
LUCA GIORDANO The Triumph of Galatea About 1675 Oil on canvas Marguerite and Robert Hoffman Fund, 2022.67
GUNTHER GERZSO Ancient Goddess 1961 Oil and sand on Masonite Anonymous gift, 2022.76
ANTONIO PUJOL Creatures in a Landscape About 1929–1933 Oil on canvas Gift of Anne d’Harnoncourt and Joseph J. Rishel, 2022.59
JOSÉ EURGENCIO LÓPEZ Saint Joseph About 1980 Cottonwood Gift of Anne d’Harnoncourt and Joseph J. Rishel, 2023.11
MARTHA BERRY; CHEROKEE NATION Gifts of the River 2019 Freshwater pearls, glass beads, wool stroud, cotton, and silk Textile Purchase Fund, 2022.93
CHRISTINA QUARLES Another Day Over 2022 Acrylic on canvas The Rachofsky Collection Acquisition Fund, 2022.38
ROBERT MOTHERWELL Bastos 1974 –1975 Acrylic and pasted paper on canvas mounted on board Gift of Marcia Dunn and Jonathan Sobel, 2022.92
TISHAN HSU R.E.M., revisited 2002 Archival inkjet on canvas TWO x TWO for AIDS and Art Fund, 2022.36.A–B
KARL STERRER Cloudbearer 1910 Gouache and mixed media on paper General Acquisitions Fund, 2023.29
EVITA TEZENO Joy, Compassion, Generosity 2022 Mixed media and acrylic on canvas Dallas Art Fair Foundation Acquisition Fund, 2022.60
TOYIN OJIH ODUTOLA Cracked Screen (Lynette in front of Sigmar Polke, Sardinia 2021) 2022 Pastel and charcoal on paper TWO x TWO for AIDS and Art Fund, 2023.8
Acquisition Highlights
Download Full Report (Full Acquisitions Highlights lists and Acquisitions start on page 53)
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To replace an image, select the png or jpeg on the canvas or in the layers panel and click the "Replace image" button, which is next to the image thumbnail in the design panel. Any applied animation to the original image will carry over to the new one. Tip: Try to make the new image a similar size and dimension to the image being replaced.
The DMA’s success as a leading cultural institution where art is accessible to all is made possible by our generous donors. This vital outpouring of support has allowed the DMA to bring inspiring art and dynamic programming to each corner of our community
Download Full Report (Full Donor list starts on page 99)
The Museum extends its deepest appreciation to the following for their support:
Lifetime Giving GIVING COUNCIL DMA CIRCLE CONTEMPORARY ART INITIATIVE DECORATIVE ARTs anD DESIGN INITIATIVE DMA MEMBERS CORPORATE SUPPORT
GIVING COUNCILS DMA CIRCLE CONTEMPORARY ART INITIATIVE DECORATIVE ART AND DESIGN INITIATIVE DMA MEMBERS CORPORATE SUPPORT INSTITUTIONAL DONORS SPECIAL EVENTS MUNGER SOCIETY RESTRICTED FUNDS SPECIAL INITIATIVES SPECIAL EXHIBITION SUPPORT ARTS & LETTERS LIVE ANNUAL FUND DONORS
INSTITUTIONAL Support SPECIAL EVENTS MUNGER SOCIETY RESTRICTED FUNDS
DECORATIVE ARTs AND DESIGN INITIATIVE DMA MEMBERS CORPORATE SUPPORT
SPECIAL INITIATIVES SPECIAL EXHIBITION SUPPORT ARTS & LETTERS LIVE ANNUAL FUND DONORS
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The DMA’s success as a leading cultural institution where art is accessible to all is made possible by our generous donors. This vital outpouring of support has allowed the DMA to bring inspiring art and dynamic programming to each corner of our community.
INSTITUTIONAL Support SPECIAL EVENTS MUNGER SOCIETY RESTRICTED FUNDS SPECIAL INITIATIVES SPECIAL EXHIBITION SUPPORT ARTS & LETTERS LIVE ANNUAL FUND DONORs
Download Full Report (Full Donor lists start on page 99)
© 2024 Dallas Museum of Art CONTRIBUTORS Agustín Arteaga, Tamara Wootton Forsyth, Eric Zeidler, Ellee McMeans, Aschelle Morgan, Veronica Treviño Salinas, Tricia Earl, Brian MacElhose, Carol Griffin, Yemi Dubale, Kathy Everitt COPYEDITING Queta Moore Watson DESIGN Vynsie Law PHOTOGRAPHY AND IMAGING SERVICES Giselle Castro-Brightenburg, Brad Flowers, Paul Molinari, Chad Redmon, Trey Burns, Tamytha Cameron The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the National Endowment for the Arts, the Texas Commission on the Arts, and the citizens of Dallas through the City of Dallas Office of Arts and Culture.
Download Full Report (Board of Trustees and Volunteer Leadership starts on page 137)
Board Officers Gowri N. Sharma President Jeffrey S. Ellerman Chairman Sheryl Adkins-Green Vice President Venu Menon Secretary Jun Il Kwun Treasurer Catherine Marcus Rose Former Board President
Executive Committee
Sheryl Adkins-Green Victor Almeida Thaddeus Arroyo Flauren Bender Tara Bond-Freeman Shonn Brown Gonzalo Bueno Lucy Burns Laurel Bush John W. Carpenter III Jennifer Chandler Leigh Anne Clark J. Patrick Collins Bela Cooley Mary McDermott Cook Macey Davis Shelly Dee
John R. Eagle Walter Elcock Jeffrey S. Ellerman Brent English Arlene Ford Kelli Ford Gela Gallardo Allison Gaughan Kathryn W. Hall Robert Hallam, Jr. Thomas Hartland-Mackie Ann Hobson Eric Johnson Fern Johnson Sophia Johnson Gene Jones
Catherine Marcus Rose Deedie P. Rose Dan Routman Adrian Sada Manjusha Shankaradas Gowri N. Sharma Amanda Shufeldt Nancy Shutt Marcia Dunn Sobel Gayle Stoffel Michelle Thomas Vaughn O. Vennerberg II Dennis Wong Sharon Young
Aasem Khalil Jun Il Kwun Max Lamont George T. Lee, Jr. Barbara Thomas Lemmon Carol R. Levy Cristina Lynch Louise Marsh Brendan McGuire Venu Menon Jessica Nowitzki Adriana Perales Arthur Primas Chase Proctor Kelli Questrom Cindy Rachofsky Katherine Perot Reeves Harry Robinson, Jr.
2022–2023 Board of Trustees
Standing Committees
Officers Gowri N. Sharma President Jeffrey S. Ellerman Chairman Sheryl Adkins-Green Vice President Venu Menon Secretary Jun Il Kwun Treasurer Catherine Marcus Rose Former Board President
Committee Chairs Lucy Burns Building & Grounds Shelly Dee Committee on Collections Chair Sophia Johnson Committee on Trustees & Governance Chair Brendan McGuire Budget & Finance Committee Chair Adriana Perales Learning & Engagement Committee Chair Amanda Shufeldt Development Committee Chair Sharon Young Audit Committee Chair
Architect Selection Committee Jennifer Eagle◊ and Lucilo Peña◊ Co-Chairs Agustín Arteaga◊ Zaida Basora◊ Mary McDermott Cook Jeffrey S. Ellerman Marguerite Steed Hoffman◊ Darren James◊ Howard Rachofsky◊ Catherine Marcus Rose Deedie Rose Jennifer Scripps◊ Gowri N. Sharma Gayle Stoffel
Audit Committee Sharon Young Chair Shonn Brown Jeffrey S. Ellerman David Herzig◊ Tom Maddrey◊ Julie Musselman◊ Jun Il Kwun Manjusha Shankaradas Gowri N. Sharma Greg Venker◊ Vaughn Vennerberg
Budget and Finance Committee Brendan McGuire Chair John Carpenter Walter Elcock Jeffrey S. Ellerman Arlene Ford John Harkey◊ Thomas Hartland-Mackie Jun Il Kwun Max Lamont Ken Lee◊ Meghan Montana◊ Mark Moussa◊ Bill Payne◊
Building and Grounds Committee Lucy Burns Chair Victor Almeida Gonzalo Bueno Jennifer Eagle◊ Jeffrey S. Ellerman Kathryn Hall Robert Hallam, Jr. Vipin Nambiar◊ Michael Osburn◊ Lucilo Peña◊ Howard Rachofsky◊ Deedie Rose Gowri N. Sharma Jay Shinn◊
Richard Pollock◊ Howard Rachofsky◊ Catherine Marcus Rose Adrian Sada Gowri N. Sharma John Steinmetz◊ Edwin Tatum◊ Carter Tolleson◊ Sharon Young
Committee on Collections Shelly Dee Chair Lydia Addy◊ Patrick Collins Mary Cook Ex-Officio Jeffrey S. Ellerman Ann Hobson Gene Jones George Lee, Jr. Ex-Officio Tom Lentz◊ Carol Levy Cristina Lynch Jessica Nowitzki David Owsley◊ Honorary
Compensation Committee Gowri N. Sharma Chair Jeffrey S. Ellerman Brendan McGuire
Development Committee Amanda Shufeldt Chair Flauren Bender Laurel Bush Jennifer Chandler Leigh Anne Clark Bela Cooley Jeffrey S. Ellerman Marlena English◊ Gunjan Jain◊ Hallie Lamont◊ Kasey Lemkin◊ Louise Marsh Juliette Moussa◊ Nipa Nobel◊ Libby Ornani◊ Cathy Saxon◊ Gowri N. Sharma
Adriana Perales Arthur Primas Howard Rachofsky◊ Deedie Rose Peggy Sewell◊ Marcia Dunn Sobel Gowri N. Sharma Gayle Stoffel
Earned Revenue Task Force Meghan Montana◊ Chair Sheryl Adkins-Green Lucy Burns Jeffrey S. Ellerman John Harkey◊ Max Lamont Brendan McGuire Gowri N. Sharma Edwin Tatum◊
Investment Committee Jun Il Kwun Chair Brenda Berry◊ Walter Elcock Jeffrey S. Ellerman Lee Hobson◊ Aasem Khalil Ken Lee◊ Barbara Thomas Lemmon Venu Menon Dan O’Grady◊ Howard Rachofsky◊ Will Rose◊ Gowri N. Sharma Ron Steinhart◊ Vaughn Vennerberg Clinton Warren◊ Dennis Wong Sharon Young
Marketing Committee Venu Menon Chair Sheryl Adkins-Green Thaddeus Arroyo Yvette Davis Jeffrey S. Ellerman Brent English Gela Gallardo Chris Gannett◊
Learning and Engagement Committee Adriana Perales Chair Wasan Alfalahi◊ Leslie Benson◊ Mara Richards Bim◊ Tara Bond-Freeman Sylvia Cespedes◊ Barb Durham◊ Laura Elcock◊ Jeffrey S. Ellerman Maria Cristina Esteves-Jaramillo◊ Bev Freeman◊ Allison Gaughan Katherine Haskel◊ Kelli Questrom Harry Robinson, Jr. Serena Ritch◊ Gowri N. Sharma John Spriggins◊ Michelle Thomas Richard Thomas◊ Sofia Bastidas Vivar◊ Martha Wells◊
Nevin Grinnell◊ Marissa Jarratt◊ Amber LaFrance◊ David Liu◊ Debora Manusama◊ Jane McGarry◊ Katherine Reeves Dan Routman Gowri N. Sharma
Committee on Trustees and Governance Sophia Johnson Chair Jeffrey S. Ellerman Fern Johnson Jessica Nowitzki Cindy Rachofsky Catherine Marcus Rose Gowri N. Sharma Amanda Shufeldt
◊ Non-trustee
COMMITTEE CHAIRS Lucy Burns Building & Grounds Shelly Dee Committee on Collections Chair Sophia Johnson Committee on Trustees & Governance Chair Brendan McGuire Budget & Finance Committee Chair Adriana Perales Learning & Engagement Committee Chair Amanda Shufeldt Development Committee Chair Sharon Young Audit Committee Chair
At-Large Members Thaddeus Arroyo Mary McDermott Cook John Eagle Walter Elcock Arlene Ford Chase Proctor Ex-Officio Cindy Rachofsky Deedie Rose Vaughn Vennerberg
Download Full Report (Full Board of Trustees and Volunteer Leadership starts on page 137)
Collections Development Director’s Office Education Exhibitions and Interpretation Experience Facility Operations and Security Finance and Accounting Gallery Attendants Human Resources Technology and Digital Media
Detra Lewis
Download Full Report (Full Staff list starts on page 149)
Vicki Turner
John Young
Download Full Report (Full Staff lists start on page 149)
Collections
Curatorial and Research Curatorial / Conservation / Library and Archives
Development
Director’s Office
Education
Exhibitions and Interpretation
Experience
Facility Operations and Security
Finance and Accounting
Gallery Attendants
Human Resources
Technology and Digital Media
Download Full Report (Financials start on page 163)
Consolidated Statements of Financial Position June 30, 2023 and 2022
Consolidated Statements of Cash Flow For the Years Ended June 30, 2023 and 2022
Consolidated Statements of Activities For the Year Ended June 30, 2023
Consolidated Statements of Activities For the Year Ended June 30, 2022
Schedule of Endowments
For purposes of brevity, the financial information presented herein is derived from our audited financial statements. This excerpted information does not include the statement of cash flows or footnotes that are integral to a full presentation of the Dallas Museum of Art’s financial position. A complete report of the Independent Auditors is available here.
